A large majority of Wii U exclusives have yet to receive a proper soundtrack release, which is why it’s kind of surprising that PlatinumGames and SEGA will be issuing a full release for Bayonetta 2 some time in the near future. Not even Wonderful 101 received the same treatment!SEGA’s in-house record label, Wavemaster, has announced that they will be. There has been no official tracklisting as of yet, but the album will feature all the music that will appear in the game.As you’d expect, the major composer and producer for the game, Masami Ueda, will produce the soundtrack album. Ueda has previously worked on Resident Evil, Okami and Devil May Cry before he moved to PlatinumGames where he also produced the original Bayonetta.As with all Japanese releases, the entire five-disc collection will cost roughly 5200 Japanese Yen, which translates roughly into 55 Australian Dollars.It’s not very likely we’ll get this eclectic release anywhere else but Japan, but we’ll be sure to update you if we hear anything else.Bayonetta 2 is releasing in Japan on September 20th. It will be releasing in Western territories some time in October, though we’ve yet to have a concrete release date confirmed. Color note for windows.
Genre: ScoreDate: 2014Country: JapanAudio codec: MP3Quality: 320 kbsPlaytime: 6:02:18CD101. Title (02:27)02.
The Legend Of Aesir (03:34)03. EV01 Lumen Sage (01:03)04. EV02 Demise (01:08)05. GM01 Chapter Start (02:06)06. EV03-1 Prologue (00:53)07. EV03-2 Shopping A (01:39)08. EV03-3 Jeanne’s Appearance (00:24)09.
EV03-4 Premonition A (00:44)10. EV03-5 Premonition B (00:40)11. EV03-6 Shopping B (00:45)12.
EV03-7 Bayonetta Ready to Fight A (01:12)13. Moon River (∞ Climax Mix) (08:30)14. EV04-1 Rodin’s Gift A (01:08)15.
EV04-2 Love is Blue Equipped (00:18)16. EV04-3 Rodin’s Gift B (00:25)17. Theme Of Bayonetta 2 – Tomorrow Is Mine (04:24)18. Angel Advent (00:16)19. Mad Rush (02:50)20.
The Heavies (2nd Climax Ver.) (04:05)21. Infernal Demon Summoning (2nd Climax Ver.) (00:47)22. EV05 Gomorrah Escapes (00:55)23. Gomorrah – Devourer Of The Divine (04:13)24. Time For The Climax!
EV06 Sorrow and Anger (00:33)26. The Gates Of Hell (04:08)27.
EV07-1 Jeanne’s Fate (01:03)28. EV07-2 At Hell’s Entrance, to the Gates of Hell (00:49)29.
GM02 Chapter Clear (01:47)30. EV08 Enzo’s Speech (01:06)31. EV09-1 Enzo’s Flight A (00:30)32. EV09-2 Enzo’s Flight B (01:01)33.
ST01 Noatun – City of Water (03:56)34. Memory of Time A (01:36)35. ST02 Noatun – Chaos Ruins (03:21)36. Back Alley Rising (01:30)37. ST03 Noatun – Water Square (03:28)CD201. EV10-1 The Mysterious Boy, Loki’s Appearance (00:46)02. EV10-2 Conversation with Loki A (02:49)03.
EV10-3 Conversation with Loki B (00:44)04. EV11 Valiance Appears (00:52)05. ST04 Noatun – Church (03:23)06. EV12 Reunion with Loki (00:30)07. EV13 Crisis Approaching Loki (00:08)09.
EV14-1 Red String of Fate? EV14-2 Fleur De La Reine (00:22)11. EV14-3 Luka’s Appearance (00:49)12. EV14-4 Eyes of the World (04:16)13. EV14-5 A Small Guide (00:47)14. EV15 Power of the Memory of Time – Tsunami (00:26)15.
Big Wave (00:33)16. EV16 Power of the Memory of Time – Catherdral (00:27)17. Memory of Time B (02:44)18. EV17 Conversation with Loki C (01:41)19. Glamor’s Return (01:36)20. Glamor – In Charm And Allure (04:13)21. EV18 Loki Falling (00:22)22.
EV19 Disturbing Signs (00:29)23. ST05 Noatun – City at Dusk (03:23)24.
EV20-1 Encounter A (00:32)25. EV20-2 Encounter B (00:52)26. Loki’s Crisis (02:54)27. EV21 Masked Lumen Sage (01:37)28.
The Lumen Sage (03:39)29. The Lumen Sage & Fortitudo (05:01)30. The Lumen Sage & Temperantia (05:06)31. The Lumen Sage – Climax (01:26)33. EV22 Loki, Dies?
To the Cathedral of Water (02:37)35. Devil Advent (00:18)36. ST06 Cathedral of Water (01:59)37.
EV23-1 Floating Sphere (00:23)38. EV23-2 Behind the Scenes (00:25)39. EV24 Beginning of the World (02:00)40.
EV25 Conversation with Luka (00:42)41. To the Top (03:21)42. EV26 Power of the Memory of Time – Sky Bridge (00:22)43.
Across the Sky Bridge (02:33)CD301. EV27 Valor’s Appearance (00:14)02. Valor – In Courage And Gallantry (05:46)03. EV28-1 To the Lake’s Bottom (00:38)04. EV28-2 Power of the Memory of Time – Ark of Time (00:23)05. Insidious – Consumer Of All (05:42)06.
EV29 The Ark Swallows (00:08)07. ST07 Insidious Insides (02:22)08. EV30 Masked Lumen Sage Returns (01:01)09. EV31 Pendant (00:34)10.
ST08 Ruin of Memories (03:58)11. EV32 Golem Appears (00:12)12. The Giants (04:16)13.
Memory of Time C (04:10)14. Inferno’s Entrance (00:29)15. EV33 Masked Lumen Sage and Prophet (01:53)16. Beyond Time (06:40)17. EV34-1 The Power of Transcending Space-Time (00:44)18. EV34-2 Sorrow of Truth A (03:19)19.
EV34-3 Sorrow of Truth B (00:41)20. ST09 Inferno (03:16)21. ST10 Inferno – Forest (03:35)23. EV35 In Hell, Conversation with Rodin (00:32)24. EV36-1 Alraune’s Appearance (01:02)25. EV36-2 Resentment of Madama Butterfly A (00:43)26. EV36-3 Resentment of Madama Butterfly B (00:20)27.
Alraune – Whisper Of Dementia (05:38)28. EV37 Alraune’s Anger (01:01)29. Alraune – Whisper Of Insanity (07:04)30. EV38-1 Friend Rescued A (00:24)31. EV38-2 Friend Rescued B (00:34)32.
EV38-3 Friend Rescued C (01:26)33. EV38-4 Rodin’s Works of Art (00:41)CD401. Friend (03:41)02. EV39-1 Umbra Witch and the Lumen Sage A (01:39)03. EV39-2 Umbra Witch and the Lumen Sage B (00:27)04.
You May Call Me Father (07:55)05. EV40 Loki’s Awakening (00:25)06. EV41 500 Years Ago, Vigrid (00:22)07. ST11-1 Vigrid A (02:49)08. EV42 Rosa’s Appearance (01:10)09. ST11-2 Vigrid B (01:02)10.
Fortitudo – In Labors And Dangers (07:12)11. ST11-3 Vigrid C (01:30)12. ST12 Underground Cave Cemetery (04:13)13.
ST13-1 Underground Cave Swallowed by Lava A (02:33)14. The Heavies (1st Climax Ver.) (03:14)15. Infernal Demon Summoning (1st Climax Ver.) (02:05)16. ST13-2 Underground Cave Swallowed by Lava B (03:34)17.
Riders Of The Light (03:27)18. ST14 The Witches’ Training Grounds (02:24)19. ST15 The Great War of 500 Years Past – Ground (06:19)20. Sapientia – In The Choice Between Good And Evil (05:45)21. EV43 Judgment (00:17)22.
ST16 The Great War of 500 Years Past – Air (03:21)23. Iustitia – In Giving Every Man His Due (06:21)CD501. Temperantia – In Foregoing Pleasures (05:26)02. One Of A Kind (05:08)03. EV44 Loptr’s Appearance (01:04)04.
EV45-1 At Hell’s Gate, Conversation with Luka and Loki A (00:47)05. EV45-2 At Hell’s Gate, Conversation with Luka and Loki B (00:15)06. ST17 Moonlight Valley (2nd Climax Ver.) (03:10)07. EV46 The Truth (00:25)08.
EV47 Beloved People (01:25)09. EV48-1 To the Sacred Mountain, Fimbulventr A (00:31)10. EV48-2 To the Sacred Mountain, Fimbulventr B (01:05)11.
EV49 Luka and Loki Toward the Temple (01:24)12. ST18 Between the Helm (01:24)13. Truth of Revenge (01:42)14. EV50-2 Loptr’s Speech A (02:05)15. EV50-3 Loptr’s Speech B (00:53)16. EV50-4 Luka the Busybody (00:12)17.
EV50-5 Bayonetta Ready to Fight B (00:33)18. EV51-1 God of Chaos, Aesir (01:54)19. EV51-2 Together With Balder (00:40)20. Aesir (06:15)21.
EV52-1 Loki’s Bet A (00:36)22. EV52-2 Loki’s Bet B (00:33)23. The God Of Chaos!? EV53-1 Balder’s Resolution (00:57)25. EV53-2 My Dear, Sweet Child (00:52)26. EV53-3 See You Around (01:54)27.
EV54 Epilogue (00:32)28. Let’s Dance, Boys! (2nd Climax Ver.) (04:33)29. Moon River (02:46)30. EV55 Beginning (00:21)31.
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Sweet Memories (02:43)32. GM03 Verse Result Jingle (00:05)33. SE01 Stone Medal Acquisition SE (00:04)34. SE02 Bronze Medal Acquisition SE (00:04)35.
GM04 Silver Medal Acquisition Jingle (00:04)36. GM05 Gold Medal Acquisition Jingle (00:04)37. GM06 Platinum Medal Acquisition Jingle (00:05)38. Mysterious Destiny (Retro Version) (03:48)39.
Blood & Darkness (08:08)40. Angelic Hymms – Entrance of the Gladiators (00:24)41. Angelic Hymms – William Tell Overture (00:24)42.
Angelic Hymms – The Magic Flute (00:24)43. Angelic Hymms – Devil (00:24)44. Angelic Hymms – The Harmonious Blacksmith (00:24)45. Angelic Hymms – St Matthew Passion (00:26)46. 2013 E3 Promotion (01:26)47.
Trailer End Credits (00:09).
OverviewAfter a year of anticipation, PlatinumGames and Sega's Bayonetta Original Soundtrack has finally arrived through my door. I've been excited about the score ever since it was confirmed that Devil May Cry mastermind Masami Ueda and his Okami assistant Hiroshi Yamaguchi were scoring it. Things became even more interesting with co-composer confirmations, beautiful samples, and the confirmation of a five disc soundtrack release. The final score does not disappoint. The composers did a great job achieving an appropriate style for the game while offering many entertaining and emotional pieces for stand-alone listening. However, there are a lot of short and uninteresting cues on the soundtrack release that were clearly only intended for contextual purposes. Tilismdev comics free download.
Can the soundtrack still be an enjoyable experience as a collective whole? BodyRight from the 'Opening Demo', Hiroshi Kawaguchi demonstrates what to expect from the soundtrack. He aims to portray the main character as a frivolous and sexy witch in a modern day world.
'Riders of the Light' is a particularly iconic depiction of how he achieves this. A stylish and progressive blend of light jazz and R'n'B influences, Yamaguchi really captures the feminity of the character with features such as the jazzy piano chords, slick synth parts, and flute decorations.
There's even a sassy female backing chorus. Masami Ueda also uses the voice of Helena Noguerra to portray Bayonetta on the game's main theme. Noguerra's vocals have a distinctive quality to them — silky yet abstract — and not all will like them.
Either way, the core melody is good enough to still be enjoyable and particularly shines is the retro version at the end of the soundtrack. It's also interesting how they selected the old cabaret song 'Fly Me to the Moon' to represent the era clash in the game. The main remix of the track is surprisingly a modern acid jazz remix and it's only at the ending of the soundtrack that listeners are treated with a more authentic version.Despite the jazzy focus, there is a darker core to the soundtrack. In particular, 'One of a Kind' impresses with its production values and epic writing for orchestra and chorus.
There are strong gothic influences created by the canonic presentation of the main melody and the glorious choir chants. Although the focal elements of the composition repeat many times, Yamaguchi knows how to create a continually compelling five minute listen. Tear jerking piano parts, breathtaking choral counterpoint, and extravagant ascending chord progressions emerge as the backing strings continue to race. Some of the most intense stage themes also recount the furious quality of the opening.
Rei Kondo's 'Town Areas Swallowed by Lava', in particular, is stunning in conjunction with the visuals with its intense blend of chorus, orchestra, and piano. The gothic influence is even more explicitly referenced in 'God's Voice', 'Graveyard of the Memories of Time', and 'Paradiso - Star Ocean'. These have an even more celestial quality than Devil May Cry's greatest and prove simultaneously beautiful yet haunting.Aside the gothic feel, the stage themes for Bayonetta are certainly a diverse and impressive bunch. 'The Falling Military Transport' unites the orchestral, vocal, jazz, and electronic influences of the soundtrack together into an iconic first stage theme; after a bombastic introduction, the prominent integration of the main theme fmakes the track all the more encompassing. Masami Ueda's 'Vagrid - Town Areas' is written in a similar tone to Devil May Cry's ambient stage theme with male chorus chants and tribal percussion. However, it blooms from its minimalistic origins into a highly emotional composition with lavish piano, oboe, and guitar work.
Other atmospheric contributions include 'Vagrid - Station Home', a colourful yet moody blend of Masami Ueda and Norihiko Hibino's trademarks, and 'The Witches' Forge', another demonstration of Naoto Tanaka's capacity in the rhythm department. Towards the end of the soundtrack, Kondo offers pumped-up emotional anthems such as 'Giant Military Transport, Valkyria' and the surprisingly entrancing 'Isabel Building - Lower Floors', leading into an utterly deathly organ and chorus theme for the final floors.While there aren't that many stages in Bayonetta, the journey to the climax is ultimately a long one. This is partly because the game is jam-packed with events and the composers of Bayonetta composed music to accompany all 35 sets of them. This cinematic underscoring certainly adds to the drama and atmosphere of the game and is on par with that featured on Western productions. In particular, GEM Impact bring a moody cinematic sound to numerous pieces ranging from the prologue to the epilogue.
However, they receive very little opportunity to really shine given most of the events they underscore are less than one minute long; even Norihiko Hibino's beautiful saxophone solos or Yoshitaka Suzuki's elegaic moments are saddeningly brief. Nevertheless, most of their tracks seamlessly blend into the soundtrack while subtly enhancing the game, so are hardly jarringly interruptive on the soundtrack. Listeners should nevertheless expect to be confronted with numerous event themes throughout the soundtrack — many more than the actual highlights of the soundtrack — so may want to seriously consider ripping the album and trimming it down for a consistently stimulating experience.The battle themes are the other main highlights of Bayonetta. In particular, 'Battle for the Umbra Throne' blends the punchy piano-based jazz focus of the score with surprising bagpipe infusions and flamenco guitar parts. It sounds so improbable in writing, but it is composed and implemented so well that it satisfies on every level and even represents the European setting of the game too. Later tracks such as 'Red & Black', 'Climactic Battle', and 'Demonic Beast Summon' are also bound to make listeners smiles with their upbeat rhythms and warm fusions.
On the more dramatic side of the experience, the team once again brings a lot to the table with awe-inspiring gothic works like 'Fortitudo in Labors and Dangers' and 'Temperantia - In Foregoing Pleasures'. Rei Kondo is actually responsible for the climax of the soundtrack and brings one more element to the already intense orchestra and chorus work — romantic piano work akin to Rachmaninoff.
'Iustitia', 'Sapientia', and 'You Can Call Me Further' all exhibit this style and are some of the most mighty compositions ever featured in a video game. The pomp is rounded off with 'The Greatest Jubilee', an eight minute composition that reprises the lyrical canon figure of the opening theme within an even more dramatic environment.There is a bunch of miscellaneous material featured on the fifth disc of the release. Firstly, there are the classic versions of five of Hiroshi Kawaguchi's stage themes for Sega's OutRun, After Burner II, Fantasy Zone, and Space Harrier. If you don't have the likes of the OutRun 20th Anniversary Box, this is a great alternative and doesn't carry the risk of acquiring 'MSS Syndrome' either. In addition to the enjoyable originals, there are great climax mixes versions of the themes elsewhere on the soundtrack, including some guest appearances by Kawaguchi and Masami Ueda's treatment of 'After Burner' in a very different kind of fusion. Another feature of the fifth disc are the 'Angel's Voice' themes. These are interpretations of famous classical compositions such as 'Jupiter' and 'Fantasy Impromptu', featuring solo piano work and warped sound effects in the style of a vinyl record.
They're very atmospheric in context, though too brief and samey on a stand-alone level to be a big highlight. Much of the rest of the fifth disc features jingles, prototype versions, and trailer music that provide a revealing, but slightly unnecessary insight into how the Bayonetta sound came to be developed. SummaryNow that was quite a ride! Whether Hiroshi Kawaguchi's sexy acid jazz themes, Masami Ueda's dark worldly fusions, or Rei Kondo's gothic epics, the team certainly create a distinctive, fitting, and entertaining complement for the game.
As with Okami before it, the Bayonetta soundtrack features such a large amount of material that it can be difficult to listen to in one session, though. While the event themes bring a lot to the story, they can generally be regarded as short filler pieces on the stand-alone release, and the majority of the fifth disc is unnecessary. Most listeners would be wise decluttering their rip of the soundtrack to leave all the best themes and leave the remainder of themes strictly to a contextual setting. Fortunately, there are more than enough highlights among the stage, battle, and main themes of the game for Bayonetta to be a highly appealing listen. This is a must-have album overall, although it is worthwhile playing the excellent game first. Album was composed by / / / / / / / / / / and was released on November 4, 2009.
Soundtrack consists of tracks with duration over more than 5 hours.
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